Fedeltà: Soldati. Prigionieri. chronicles the experiences of Italian prisoners of war (POWs), mostly captured in North Africa and Sicily, who are sent to Letterkenny Army Depot outside Chambersburg, Pennsylvania, during World War II. The film documents the POWs’ journey from war to peace and shows how their impact is still felt today. Shot in both the United States and Italy, the documentary includes interviews with family members of the prisoners and utilizes original archival documents and footage from the families and the US Army as well as other sources associated with the Italian Service Units, those Italian soldiers who renounced Fascism and agreed to collaborate with the United States after Italy’s surrender in 1943.
In conjunction with the Calandra Institute’s exhibit about World War II Italian POW artistry in the United States.
Post-screening discussion led by Joseph Sciorra, John D. Calandra Italian American Institute.
The Vernacular Architecture Forum has awarded Joseph Sciorra its 2024 Catherine W. Bishir Prize for his article “‘The Strange Artistic Genius of This People’: The Ephemeral Art and Impermanent Architecture of Italian Immigrant Catholic Feste,” published in the Fall/Spring 2023 issue of Buildings & Landscapes: Journal of the Vernacular Architecture Forum.
Sciorra looks at late nineteenth and early twentieth-century mobile shrines and street chapels—Baroque confections as tall as sixty feet or as wide as buildings, shaped like altars, towers, or even land-faring boats. Italian American craftsmen created these for their immigrant community feste, or—as Sciorra calls them—“cultural-religious extravaganzas.” He shows the reader these works through the eyes of their intended audiences, as well as those of outsiders—photographers, journalists, visual artists—whose potential biases he carefully considers. Sciorra examines, “how these transient objects of devotion … enacted and proclaimed a diasporic community of believers that challenged hegemonic notions of artistry, religion, the built environment, and the public sphere.” He further expands his gaze to contextualize his hand-crafted sources of study as, in his words, “part of the Progressive era’s xenophobic climate and, in particular, the picturesque gaze that racialized and othered Italian immigrants.”
Exhibition opening takes place on Wednesday, September 27, 2023, at 6pm.
The work of the twenty-one artists featured in this exhibit offers a richness of form, medium, subject matter, color, and style that is a delight and a revelation to behold. Connections to a discernable Italian art tradition—or for that matter to Italian American aesthetic practices more specifically—vary across the exhibition, ranging from the explicit to the suggestive to the nonexistent.
After the opening on September 27, the exhibition will be accessible during business hours, 9:00am to 5:00pm, Monday through Friday, and is located in the Galleria of the John D. Calandra Italian American Institute.
Today’s New York Times features an article by James Barron that details Calandra’s Dr. Joseph Sciorra’s tireless campaign to recognize the life of dockworker Pete Panto by erecting a gravestone for the murdered labor activist buried in the St. Charles Cemetery on Long Island. Read the article here. And please consider attending the commemoration of Panto that will take place at the gravesite on Tuesday, September 26, 2023, at 2:30pm. Click here for the address and further details.
A lecture at CIMA, Center for Modern Italian Art, by Dr. Joseph Sciorra
During the great wave of European emigration Italians brought a vibrant and varied array of music making to the United States: folk music in the form of domestic lullabies and Christmas bagpiping; artisan string trios and quartets; brass band symphonic marches; anarchist protest songs, and the ever-popular Neapolitan song. In New York City, small and large ethnic publishing houses produced sheet music for musical entertainment while mainstream US companies like Columbia and Victor recorded Italian immigrant performers as part of a branded “ethnic series.” Dr. Joseph Sciorra will discuss the lost world of Italian immigrant music making and how contemporary scholars, collectors, performers, and archival institutions are researching, reviving, and preserving this cultural legacy in the twenty-first century.
After the lecture, Dr. Sciorra will conduct an interview with Ernie Rossi, owner of E. Rossi & Co.
Dr. Joseph Sciorra is the director for Academic and Cultural Programs at Queens College’s John D. Calandra Italian American Institute, a City University of New York research institute. As a folklorist, he has researched and published on religious practices, material culture, and popular music, among other topics. He is the author of Built with Faith: Italian American Imagination and Catholic Material Culture in New York City, and co-editor of Neapolitan Postcards: The Canzone Napoletana as Transnational Subject and the two-volume collection New Italian Migrations to the United States. Recently he has published on Italian Americans’ shifting and diverse relationships to Columbus commemorations, as well as the material culture of monuments, memorials, and Italian migrations.
This event is produced in collaboration with the John D. Calandra Italian American Institute.
Curated by Joanne Mattera and Joseph Sciorra
Today’s New York Times features an article by James Barron that details Calandra’s Dr. Joseph Sciorra’s tireless campaign to recognize the life of dockworker Pete Panto by erecting a gravestone for the murdered labor activist buried in the St. Charles Cemetery on Long Island. Read the article 
