In April 2025 the Calandra Institute will mount an exhibit on the artistry of World War II Italian POWs in the United States. The exhibit will feature handcrafted objects, paintings, photographs, letters, newspapers, and other artifacts documenting creativity under captivity. During the war more than 51,000 Italian military personnel were held throughout the country, from Massachusetts to Hawaii. The curators, Laura E. Ruberto (Berkeley City College) and Joseph Sciorra (Calandra Institute), are looking for items, especially crafts and artwork, for possible inclusion in the exhibit. While the exhibit will focus on the United States, objects from other parts of the world concerning Italian POWs are also of interest. Such artwork may have been made while in a POW camp or after the war as a reflection of wartime captivity and experience. The exhibit is co-sponsored by the John D. Calandra Italian American Institute (Queens College, CUNY), the Australian Research Council, and the Mellon/ACLS Community College Faculty Fellowships. Please contact both Dr. Ruberto (lruberto@peralta.edu) and Dr. Sciorra (joseph.sciorra@qc.cuny.edu) directly with any leads, examples of artifacts, or questions.

The Vernacular Architecture Forum has awarded Joseph Sciorra its 2024 Catherine W. Bishir Prize for his article “‘The Strange Artistic Genius of This People’: The Ephemeral Art and Impermanent Architecture of Italian Immigrant Catholic Feste,” published in the Fall/Spring 2023 issue of Buildings & Landscapes: Journal of the Vernacular Architecture Forum. Sciorra looks at late nineteenth and early twentieth-century mobile shrines and street chapels—Baroque confections as tall as sixty feet or as wide as buildings, shaped like altars, towers, or even land-faring boats. Italian American craftsmen created these for their immigrant community feste, or—as Sciorra calls them—“cultural-religious extravaganzas.” He shows the reader these works through the eyes of their intended audiences, as well as those of outsiders—photographers, journalists, visual artists—whose potential biases he carefully considers. Sciorra examines, “how these transient objects of devotion … enacted and proclaimed a diasporic community of believers that challenged hegemonic notions of artistry, religion, the built environment, and the public sphere.” He further expands his gaze to contextualize his hand-crafted sources of study as, in his words, “part of the Progressive era’s xenophobic climate and, in particular, the picturesque gaze that racialized and othered Italian immigrants.” An online copy of the article is accessible here.

The latest image from the 2024 edition of the Italian Diaspora Summer Studies Seminar at Roma Tre University. The program ends June 28, 2024.  

The IDSSS got some favorable press in L'idea magazine. This year's edition of the seminar ran through June 28 at Roma Tre University.

This year's theme for Italian Heritage and Culture Month is Giovanni da Verrazzano 1524-2024: 500 Years. We present here the Italian Heritage & Culture Committee, New York, Inc.'s documents anticipating the October celebrations: click here for Cav. Joseph Sciame's Events Letter; here for the Events Form; here for a Press Release about this year's celebration; and here for the Donations Request Form.