The exhibition, curated by Laura E. Ruberto and Joseph Sciorra, presents creative work made by Italian soldiers who were imprisoned by the Allied forces during World War II, focusing on those held in the United States. These objects, often made from salvaged materials, ranged in size from a small inlaid ring to a large Catholic chapel with a 65-foot bell tower. There is no archive or collective depository about World War II Italian prisoners of war in Allied hands. To document this creative work, the exhibit pulls from research completed by co-curator Laura E. Ruberto (Berkeley City College), including historical photographs, rare remaining artifacts, oral testimonies, written accounts, family memories, and private collections. The exhibition, designed by Polly Franchini, brings together a selection of these objects, images, and stories to present this little-known history. Highlighting the artistry of incarcerated Italian servicemen (some of whom maintained allegiance to Fascism) is not meant to trivialize the atrocities of war or to minimize the resistance of those who fought at great sacrifice. Rather, it offers an opportunity to reflect on the myriad ways that identity and imagination are shaped materially during the adverse conditions of war. Click here to see the catalog from the exhibition. In addition to the Calandra Institute, funding for this exhibit comes from the Australian Research Council and the Mellon Foundation/American Council of Learned Societies. ON VIEW May 1, 2025–September 2, 2025 Gallery Hours: Monday–Friday, 9am–5pm EXHIBITION OPENING May 1, 2025, 6pm

Yesterday at the Institute filmmaker Summer Minerva presented her latest film (with co-director Adam Golub), Summer Within, a documentary about the history and tradition of femminielli in Southern Italy. After the screening, Minerva discussed the film with Professor Fred Gardaphè, of Queens College and the Calandra Institute. For more on the film, click here.

On the anniversary of the death of Professor Bob Viscusi, poet, teacher, theorist, friend of the Calandra Institute, we hosted a commemoration of him and his work. The event included readings from the Festschrift put together for him in 2021, This Hope Sustains the Scholar, as well as remembrances from colleagues and friends, some from New York City and others from Italy, joining via ZOOM. Click here to watch the entire event.

The Vernacular Architecture Forum has awarded Joseph Sciorra its 2024 Catherine W. Bishir Prize for his article “‘The Strange Artistic Genius of This People’: The Ephemeral Art and Impermanent Architecture of Italian Immigrant Catholic Feste,” published in the Fall/Spring 2023 issue of Buildings & Landscapes: Journal of the Vernacular Architecture Forum. Sciorra looks at late nineteenth and early twentieth-century mobile shrines and street chapels—Baroque confections as tall as sixty feet or as wide as buildings, shaped like altars, towers, or even land-faring boats. Italian American craftsmen created these for their immigrant community feste, or—as Sciorra calls them—“cultural-religious extravaganzas.” He shows the reader these works through the eyes of their intended audiences, as well as those of outsiders—photographers, journalists, visual artists—whose potential biases he carefully considers. Sciorra examines, “how these transient objects of devotion … enacted and proclaimed a diasporic community of believers that challenged hegemonic notions of artistry, religion, the built environment, and the public sphere.” He further expands his gaze to contextualize his hand-crafted sources of study as, in his words, “part of the Progressive era’s xenophobic climate and, in particular, the picturesque gaze that racialized and othered Italian immigrants.” An online copy of the article is accessible here.

The IDSSS got some favorable press in L'idea magazine. This year's edition of the seminar ran through June 28 at Roma Tre University.