The Calandra Institute's current exhibition Creativity and World War II Italian POWs in the United States, curated by Laura E. Ruberto and Joseph Sciorra, can now be explored via a digital 3D model. View it here. To learn more about the exhibition click here, view the catalog, or read a brief description: The exhibition presents creative work made by Italian soldiers who were imprisoned by the Allied forces during World War II, focusing on those held in the United States. These objects, often made from salvaged materials, ranged in size from a small inlaid ring to a large Catholic chapel with a 65-foot bell tower. There is no archive or collective depository about World War II Italian prisoners of war in Allied hands. To document this creative work, the exhibit pulls from research completed by co-curator Laura E. Ruberto (Berkeley City College), including historical photographs, rare remaining artifacts, oral testimonies, written accounts, family memories, and private collections. The exhibition, designed by Polly Franchini, brings together a selection of these objects, images, and stories to present this little-known history. Highlighting the artistry of incarcerated Italian servicemen (some of whom maintained allegiance to Fascism) is not meant to trivialize the atrocities of war or to minimize the resistance of those who fought at great sacrifice. Rather, it offers an opportunity to reflect on the myriad ways that identity and imagination are shaped materially during the adverse conditions of war. The public can also view the gallery in person at the Calandra Institute's Midtown Manhattan location. It will be on view from 9am to 5pm, Monday to Friday, until November 26.

Religions, Beliefs, and the Supernatural in Italy and across Italian Mobilities April 24–25, 2026 Religious practices, policies, tensions, and conflicts have been a defining feature of the construction of the modern Italian state and its struggle to assert a national identity while in the shadow of the Catholic Church. Various religious communities, such as Jews and Waldensians, and most recently Muslims and Buddhists, have had to contend with the dominance of Catholicism in Italy’s political and cultural spheres. Italy’s colonial and imperial projects in Africa and in the Mediterranean racialized religious differences as aspects of warfare and violent subjugation. Religious beliefs and practices have also shaped the ways in which Italian migrants were seen and understood in new environs, especially in Protestant-dominant countries like the United States. This conference builds on recent scholarship in the field of religious studies and Italian mobility studies to explore new avenues of research. For more information, please click here.

The exhibition, curated by Laura E. Ruberto and Joseph Sciorra, presents creative work made by Italian soldiers who were imprisoned by the Allied forces during World War II, focusing on those held in the United States. These objects, often made from salvaged materials, ranged in size from a small inlaid ring to a large Catholic chapel with a 65-foot bell tower. There is no archive or collective depository about World War II Italian prisoners of war in Allied hands. To document this creative work, the exhibit pulls from research completed by co-curator Laura E. Ruberto (Berkeley City College), including historical photographs, rare remaining artifacts, oral testimonies, written accounts, family memories, and private collections. The exhibition, designed by Polly Franchini, brings together a selection of these objects, images, and stories to present this little-known history. Highlighting the artistry of incarcerated Italian servicemen (some of whom maintained allegiance to Fascism) is not meant to trivialize the atrocities of war or to minimize the resistance of those who fought at great sacrifice. Rather, it offers an opportunity to reflect on the myriad ways that identity and imagination are shaped materially during the adverse conditions of war. Explore a 3D model of the exhibition in our gallery space and read the catalog to learn more. In addition to the Calandra Institute, funding for this exhibit comes from the Australian Research Council and the Mellon Foundation/American Council of Learned Societies. ON VIEW May 1, 2025–November 26, 2025 Gallery Hours: Monday–Friday, 9am–5pm EXHIBITION OPENING May 1, 2025, 6pm

The IDSSS got some favorable press in L'idea magazine. This year's edition of the seminar ran through June 28 at Roma Tre University.

This year's theme for Italian Heritage and Culture Month is Giovanni da Verrazzano 1524-2024: 500 Years. We present here the Italian Heritage & Culture Committee, New York, Inc.'s documents anticipating the October celebrations: click here for Cav. Joseph Sciame's Events Letter; here for the Events Form; here for a Press Release about this year's celebration; and here for the Donations Request Form.